On the 8th of every month, which is set aside all over Japan to commemorate the imperial rescript declaring war, Vargas pays his respects at the Yasukuni shrine, where the spirits of Japan’s war-dead are enshrined. Today, after the customary ceremony, he was taken to a new six-foot drum.
“Will His Excellency be so kind as to beat this drum?”
His Excellency did.
“No, No,” the chief priest exhorted. “Harder, beat it harder, hard enough so it can be heard in the Philippines.”
Apparently the drum has not been beaten hard enough. The Asahi complains today that “our crack forces on Luzon and Yiojima are fighting valiantly, causing the enemy much bloodshed, but to our regret the hegemony of the sea and the air is in enemy hands.” And the paper continues: “While our forces have little means of further supplies the enemy is in a position to obtain supplies in rapid succession. Accordingly, in spite of the valiant fighting of our forces, the war situation on both battlefields cannot but be judged unfavorable to us.” The paper then goes on to warn that a landing on the mainland is to be expected.
For its part the government has decided to reopen the diet for a single day on the 11th March “with the intention of explaining present conditions and of clarifying the conviction of the government to cope with the situation.” Another session of the diet will be called on the 15th or 16th “to present various bills.”
As the shadow of invasion and defeat falls deeper on Japan a cold wind of suspicion and hatred for all foreigners rises. The German embassy has found it advisable to warn all its nationals off bombed areas “to avoid disagreeable incidents”. Nor are the East Asians wholly sheltered from this popular reaction. The press speaks openly of the “Bei-Hi-Gun”, the American-Filipino forces now fighting on Luzon. The Philippine Society, in planning its new quarters, has notified the embassy that shelter will be provided for Filipinos “in case of rioting”. But most chilling symptom of all has been the current box-office-hit in Tokyo, a thriller called “Rose of the Sea”. The star portrays a Filipina of mixed Chinese parentage who operates as an American spy in Japan, transmitting military information through a radio set hidden in a Christian church. She reforms in the end, of course, arid realizes “her true Asian destiny” but the implications are ominous. The film could not have been produced without official approval; indeed it is said that it was produced under the auspices of the military police. If it was, then the plot provides a good clue as to the No. 1 police suspects in Japan: Filipinos, Chinese, and Christians. It is a far cry from the 1944 box-office sensation, “Shoot Down That Flag” which portrayed the Filipinos in Bataan and Corregidor as oppressed by race-conscious Americans.
One of our students sneaked into a downtown theater to see “Rose of the Sea” the other day. When the lights went on, his neighbor, a Japanese, turned on him suspiciously and asked sharply: “Are you a Filipino?”
He looked so threatening that the poor boy stammered: